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本帖最後由 mostakimseo05 於 2022-9-4 17:38 編輯
After the FSA, and throughout his career, he used the same long captions, shorter ones, and sometimes more interpretive titles. Publication of the photo and help on the way. When Dorothea Lange returned from taking the photos for the series that included La Madre Migrante, she took two concrete actions Since she did not want to wait for help to arrive from Washington, DC, she developed the negatives of the families in the camp and sent them to the newspaper San Francisco News which would publish them on March , with the headline Ragged, hungry and broke, the harvest workers live in misery.
She later had a fullpage publication in the September e-commerce photo editing issue of Survey Graphic magazine . survey graphic Cover of Survey Graphic magazine from Lange sent the photos to Washington asking for emergency aid for the peasants and soon a shipment of , pounds about , tons of food arrived from the capital. The affair ended, up to this point, in an unbeatable way according to Dorothea thanks to her photograph the public understood the importance of what was happening with the peasants hunger was abated thanks to government aid and not a single death from starvation was recorded. Everybody happy a true Hollywood happy end.
Dorothea Lange saw herself as a journalist and then as an artist. She wanted to achieve social change through the effect of photography, as well as inform the public of the suffering of others. However, the journalists work showed that art and document are not at odds. Despite its layers of documentation and social record, the Migrant Mother is a work of art in her own right. I have identified her, aesthetically speaking, with the symbolic and iconic features of a Renaissance Madonna. bouguereau William Bouguereau. The Migrant Mother is very close to the symbolism and allusions of Christian motherhood. She is an image that follows the template of the Madonna and Child that was one of the great themes in Western art history.
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發表於 2022-9-4 17:17:10